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Since 1942, coin dealers have used the annual Handbook of United States Coins—the OFFICIAL BLUE BOOK—to make buying offers. You can use it to find out how much your coins are worth! The Blue Book s price listings offer a real-world look at the coin market, gathered from dealers around the country. The new 74th edition has been expanded, with eight additional pages of content including updated prices, new sections, and many new photographs. Coverage includes colonial and early American coins, federal coins (half cents through gold double eagles), commemoratives, Proof sets, die varieties, private and territorial gold, tokens, the newest Presidential dollars, National Park quarters, bullion coins, and much more. More than 24,000 prices in multiple grades. Easy-to-follow coin-grading instructions. Coins and tokens from the 1600s to today. Historical information. Hundreds of detailed, actual-size photos. How to start a coin collection. Detailed mintage records, and much more.

• Sales Rank: #7171 in Books
• Published on: 2016-05-03
• Original language: English
• Number of items: 1
• Dimensions: 7.60" h x .80" w x 5.30" l, .0 pounds
• Binding: Paperback
• 286 pages

From the Inside Flap
Since 1942, coin dealers have used the annual Handbook of United States Coinsthe OFFICIAL BLUE BOOKto make buying offers. You can use it to find out how much your coins are worth! The Blue Book's price listings offer a real-world look at the coin market, gathered from dealers around the country. The 74th edition is fully updated with new prices and many new photographs. Special sections include a glossary of coin-collecting terms, a bibliography for further research, an appendix on selling coin-like tokens and medals, a chart of the top 25 coin prices realized at auction, and an illustrated essay on how to grade coins, and how grade affects value. The Blue Book covers colonial and early American coins, federal coins (half cents through gold double eagles), commemoratives, Proof sets, die varieties, private and territorial gold, Civil War tokens, the newest Presidential dollars, National Park quarters, bullion coins, and many other American coinage series. More than 24,000 prices in multiple grades. Easy-to-follow coin-grading instructions. Coins and tokens from the 1600s to today. Historical information. Hundreds of detailed, actual-size photos. How to start a coin collection. Detailed mintage records, and much more.

About the Author
Bressett has served as editor on several coin books.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Really nice to know what dealers will pay for my coins
By Harry J. Ploumen
Really nice to know what dealers will pay for my coins. This book is for wholesale prices.I buy one of every edition.

1 of 1 people found the following review helpful.
Five Stars
By Barry L. Winston
Excellent book

0 of 0 people found the following review helpful.
The Husband Loves It!
By Sharon L.
I bought this for my husband and he loves it for reference. He uses it in conjunction with the Red Book.

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[O662.Ebook] Download PDF The Genus Conophytum: A Conograph, by Steven Hammer

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Pp. 283, (3, list of subscribers); 250+ color photos, 8 full page color distribution maps. Publisher's original green cloth, lettered in gilt on the spine, color pictorial dust jacket, 4to. Conophytum is a genus of South African and Namibian succulent plants that belong to the Aizoaceae family. The name is derived from the Latin "conus" (cone) and Greek "phytum" (plant). The plants are also known as knopies (buttons), waterblasies (water blisters), sphaeroids, conos, cone plants, dumplings, or button plants (from Wiki). This is the standard edition limited to 3000 numbered copies - this is no. 1757. In addition, this copy is inscribed by the author to "Chuck and Terry", 13-11-1993. The original color prospectus for volume is laid in at front.

• Sales Rank: #3691402 in Books
• Published on: 1993-12-31
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 286 pages

Most helpful customer reviews

7 of 7 people found the following review helpful.
Extraordinary in its scope, quality of photos and scholarshi
By Breck Breckenridge
This botanical work is, quite simply, a classic. The author is the world's authority on his subject, genus Conophytum. Steve Hammer is a natural-born writer and his prose is clear and concise, while also being delightfully witty and informal. For me the most attractive aspect of the book isthe many, many color photographs by John Trager. They make anyone want to grow conophytums! Some plants are photographed to show their rainbow of colors; they are delicious looking.
Yet beyond the wit and color, this is a botanical monograph and will be for many years to come the standard reference on the genus. The book is laid out logically, with chapters devoted to each series within the two sections/subgenera. The early chapters talk about the group's taxonomic history, its cultivation and so forth.
All in all, I not only recommend this book; I urge you to peruse it!

2 of 2 people found the following review helpful.
The First and the Best
By J. Chippindale
For those interested in the genus Conophytum this book has to be an absolute must. Although the book is a full blown reference book Hammer's writing style is easy and there is no reason why anyone interested could not read it from cover to cover, rather than just use it a reference tool.

The photographs are superb and the plants almost leap off the page at you. The book is well produced and print and paper quality are excellent. Essential for a book that will be used on a regular basis.

It cannot be faulted and should be in the library of every enthusiast of these beautiful plants.

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[R973.Ebook] Ebook Download Symbolism: Its Meaning and Effect, by Alfred North Whitehead

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• Sales Rank: #5919830 in Books
• Published on: 1985-08-01
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 5.50" w x .50" l,
• Binding: Hardcover
• 88 pages

About the Author
Alfred North Whitehead, who began his career as a mathematician, ranks as the foremost philosopher in the twentieth century to construct a speculative system of philosophical cosmology. After his graduation from Cambridge University, he lectured there until 1910 on mathematics. Like Bertrand Russell (see also Vol. 5), his most brilliant pupil, Whitehead viewed philosophy at the start from the standpoint of mathematics, and, with Russell, he wrote Principia Mathematica (1910--13). This work established the derivation of mathematics from logical foundations and has transformed the philosophical discipline of logic. From his work on mathematics and its logical foundations, Whitehead proceeded to what has been regarded as the second phase of his career. In 1910 he left Cambridge for the University of London, where he lectured until he was appointed professor of applied mathematics at the Imperial College of Science and Technology. During his period in London, Whitehead produced works on the epistemological and metaphysical principles of science. The major works of this period are An Enquiry Concerning the Principles of Natural Knowledge (1919), The Concept of Nature (1920), and The Principles of Relativity (1922). In 1924, at age 63, Whitehead retired from his position at the Imperial College and accepted an appointment as professor of philosophy at Harvard University, where he began his most creative period in speculative philosophy. In Science and the Modern World (1925) he explored the history of the development of science, examining its foundations in categories of philosophical import, and remarked that with the revolutions in biology and physics in the nineteenth and early twentieth centuries a revision of these categories was in order. Whitehead unveiled his proposals for a new list of categories supporting a comprehensive philosophical cosmology in Process and Reality (1929), a work hailed as the greatest expression of process philosophy and theology. Adventures of Ideas (1933) is an essay in the philosophy of culture; it centers on what Whitehead considered the key ideas that have shaped Western culture.

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1 of 1 people found the following review helpful.
DOES MANKIND HAVE TO FIND A “SYMBOL” TO EXPRESS ITSELF?
By Steven H Propp
Alfred North Whitehead (1861-1947) was an English mathematician [he is credited as co-writer with Bertrand Russell of Principia Mathematica] and philosopher, best known for developing Process Philosophy. He wrote many other books such as Process and Reality, Modes of Thought, Religion in the Making, etc.

He begins this 1927 book with the statement, “The slightest survey of different epochs of civilization discloses great differences in their attitude towards symbolism. For example, during the medieval period in Europe symbolism seemed to dominate men’s imaginations… With the Reformation a reaction set in. Men tried to dispense with symbols… But such symbolism is on the fringe of life. It has an unessential element in its constitution. The very fact that it can be acquired in one epoch and discarded in another epoch testifies to its superficial nature.” (Pg. 1)

He outlines, “I shall develop the thesis that symbolism is an essential factor in the way we function as the result of our direct knowledge… I shall also endeavor to illustrate the doctrine that all human symbolism, however superficial it may seem, is ultimately to be reduced to trains of this fundamental symbolic reference, trains which finally connect percepts in alternative modes of direct recognition.” (Pg. 6-7)

He explains, “It is the thesis of this work that human symbolism has its origins in the symbolic interplay between two distinct modes of direct perception of the external world. There are, in this way, two sources of information about the external world, closely connected but distinct.” (Pg. 30) He continues, “I have termed one perceptive mode ‘Presentational Immediacy,’ and the other mode ‘Causal Efficacy.’” (Pg. 31)

He states, “One part of our experience is handy, and definite in our consciousness; also it is easy to reproduce at will. The other type of experience, however insistent, is vague, haunting, unmanageable. The former type, for all its decorative sense-experience, is barren. It displays a world concealed under an adventitious show, a show of our own bodily production. The latter type is heavy with the contact of the things gone by, which lay their grip on our immediate selves. This latter type, the mode of causal efficacy, is the experience dominating the primitive living organisms, which have a sense for the fate from which they have emerged, and for the fate towards which they go… It is a heavy, primitive experience. The former type, the presentational immediacy, is the superficial product of complexity, of subtlety…” (Pg. 43-44)

He suggests, “We enjoy the symbol, but we also penetrate to the meaning. The symbols do not create their meaning: the meaning, in the form of actual effective beings reacting upon us, exists for us in its own right. But the symbols discover this meaning for us. They discover it because, in the long course of adaptations of living organisms to their environment, nature taught their use. It developed us to that our projected sensations indicate in general those regions which are the seat of important organisms.” (Pg. 57)

He observes, “Symbolism is no mere idle fancy or corrupt degeneration: it is inherent in the very texture of human life. Language itself is a symbolism… however you reduce the functions of your government to their utmost simplicity, yet symbolism remains… Just as the feudal doctrine of a subordination of classes, reaching up to the ultimate overlord, requires its symbolism; so does the doctrine of human equality obtain its symbolism. Mankind, it seems, has to find a symbol in order to express itself. Indeed, ‘expression’ is ‘symbolism.’” (Pg. 61-62)

Later, he summarizes, “My main thesis is that a social system is kept together by the blind force of instinctive actions, and of instinctive emotions clustered around habits and prejudices. It is therefore not true that any advance in the scale of culture inevitably tends to the preservation of society… But the fact that reason too often fails does not give fair ground for the hysterical conclusion that it never succeeds. Reason can be compared to the force of gravitation, the weakest of all natural forces, but in the end the creator of suns and of stellar systems.” (Pg. 68-70)

He concludes, “The doctrine of symbolism developed in these lectures enables us to distinguish between pure instinctive action, reflex action, and symbolically conditioned action. Pure instinctive action is that functioning of an organism which is wholly analyzable in terms of those conditions laid upon its development by the settled facts of its external environment, conditions describable without any reference to its perceptive mode of presentational immediacy. This pure instinct is the response of any organism to pure causal efficacy.” (Pg. 78)

He continues, “Symbolically conditioned action is action which is thus conditioned by the analysis of the perceptive mode of causal efficacy effected by symbolic transference from the perceptive mode of presentational immediacy… Reflex action is that organic functioning which is wholly dependent on sense-presentation, unaccompanied by any analysis of causal efficacy via symbolic reference. The conscious analysis of perception is primarily concerned with the analysis of the symbolic relationship between the two perceptive modes. Thus reflex action is hindered by thought, which inevitably promotes the prominence of symbolic reference.” (Pg. 80-81)

While this is probably not one of Whitehead’s “major works,” it will be of interest to anyone studying his philosophy.

4 of 5 people found the following review helpful.
Respect, Reverence & Revision
By Peter Uys
Here Whitehead deals with perception, epistemology, Hume, Kant, Burke, instinct, emotion & action in a rather challenging read. When one examines how a society shapes its individual members to function in conformity with its needs, it emerges that the primary agency must be our vast system of inherited symbolism. Symbols evoke loyalty to vague notions that are fundamental to humanity's spiritual nature.

The author pursues the thesis that symbolism is a key factor in the way we function as a result of direct knowledge. Distinguishing 'Direct Recognition' from 'Symbolic Reference,' he shows that all symbolism may be reduced to trains of reference which connect percepts in alternative modes of direct recognition.

Immediate perception of the external world is defined as 'presentational immediacy' whilst the other purely perceptive mode of experience is 'causal efficacy'. Conceptual analysis as third mode of experience introduces analyzable components into actual things in the real world, plus abstract attributes, qualities and relations.

He identifies the flaws of Hume & Kant in their objections to the notion of the direct perception of causal efficacy. Both schools find causal efficacy to be an importation into the data, a way of thinking about or evaluating the data. Hume's assumption that time is merely the generic notion of pure succession is an example of the Fallacy of Misplaced Concreteness. Where Hume errs with time, the Kantians err with space and time.

Whitehead also neatly assesses the best and the worst of Burke's thought with reference to his writings on the American & French revolutions, showing that Burke's revulsion at the excesses of the French one played a part in his subsequent regrettable opposition to all progressive reform and his embrace of the "prejudice" concept.

In order to appreciate the function of symbolism in the life of society one must scrutinize the binding and disruptive forces at work. The advantages of social cohesion and the contrary stimulus of heterogeneity bestowed by freedom are equally important and need to be balanced. Whereas the force of instinct suppresses individuality, symbols simultaneously preserve the health of the community and the freedom of the individual. Symbolic expression preserves society by tying instinct to emotion thus assisting reason to dissect the particular instinct.

Symbolism makes space for the individual within society and at the same time promotes stability and an environment for co-operation between individuals. Whitehead carefully categorizes action as instinctive, reflexive and symbolically conditioned. Pure instinctive action is the response of an organism to pure causal efficacy. Reflex action is a relapse towards a more complex type of instinct by those who have experienced symbolically conditioned action.

The great process philosopher argues that symbolism needs to be constantly pruned and modified by new forms of expression. Old symbols must be remolded in accordance with changes in social structure. The rituals and ceremonies associated with symbolic concepts tend to remain unchanged or become frozen in time while their interpretations are in constant flux. When instinct is not expressed, it becomes toxic as it festers underground, unknown and unexamined by the the force of reason.

Linguistic change is a good example; new words appear, old ones fall into disuse and others undergo shifts of meaning. Language is a living process built on layers of dead metaphor. Sounds and expressions participate in this process of change so in a way, expression is symbolism. A language unites a nation whilst permitting individual opinion including those contrary to the consensus.

Symbolic transference may involve arbitrary and malevolent attributions. Whitehead's analysis reminded me of Chantal Delsol's observation on the current intellectual climate in Europe. Without a sense of purpose, mankind embraces the fatuous as revealed in banal and clichéd discourse. Delsol calls it the "clandestine" ideology of our time, overt ideology having become taboo. This black market substitute is sickly sentimental, arbitrary and intolerant despite furious claims to the contrary.

With reference to the band Rammstein whose act is a particularly grotesque example of what Delsol terms "black market nationalism," Claire Berlinski reveals what the repression of profound instincts leads to. This brilliant analysis, simultaneously hilarious and horrifying, encompasses translations of their lyrics, their use of Leni Riefenstahl footage, their album cover imagery, videos of their songs and the nature of their live performances.

As a community changes, rules and cultural norms need to be revised in the light of reason. When old symbolic systems are rapidly discarded as in the case of the 20th century's secular salvationist ideologies or "isms", violent revolution, oppression and mass murder ensue. Stagnation which leads to regression brings about the same toxic fruits of tyranny and terror that we are witnessing today in the Jihad.

Both rigidity and disruption lead to human sacrifice. Preserving a free society thus requires respect for tradition combined with the constant reappraisal and revision of symbolic codes. Michael Polanyi's view of the role of tradition in his little classic Science, Faith and Society is quite enlightening in this regard. I also recommend Eric Hoffer's The True Believer, a seminal study of the nature of mass movements.

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Leon and the Place Between, by Angela McAllister

Free PDF Leon and the Place Between, by Angela McAllister

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"Angela McAllister and Grahame Baker-Smith’s stunning picture book combines shadowy collage, painting, photography, and gilding to overwhelm readers with the power of magic." — THE TIMES (London)


Leon and his brothers and sister go to a magic show, but this is no ordinary show and Abdul Kazam is no ordinary magician. Take a journey right through the die-cut pages of this book into the Place Between, where magic becomes truly real. Angela McAllister has conjured a spellbinding story that unfolds in the mysterious world of Grahame Baker-Smith’s stunning illustrations.

• Sales Rank: #2639975 in Books
• Brand: Brand: Templar
• Published on: 2009-08-25
• Released on: 2009-08-25
• Original language: English
• Number of items: 1
• Dimensions: 11.63" h x .43" w x 10.12" l, 1.32 pounds
• Binding: Hardcover
• 48 pages

Features

• Used Book in Good Condition

From School Library Journal
Grade 1–4—A spectacular blend of fantasy and reality results in a whimsical wonderland. When Leon and his siblings visit a magic show, they view the jugglers' amazing athletic feats, the mechanical toys as they whiz and whirl, and the enchanted carousel's lulling tunes—until the imposing Abdul Kazam appears. With a twist of his cape and a gleam in his eye, the formidable magician calls Leon into his act, transporting him to the "place between." Baker-Smith utilizes dramatic foldouts to depict the glorious night scenes. Digital illustrations provide richness and depth; majestic purple backgrounds dominate, and swirling golden lines support the dynamic, fluid spreads. Balanced between shadow and light, expressive angular faces convey the audience's astonishment. McAllister's descriptive text provides powerful emphasis through taut dialogue; shifting font varies for added emphasis. Phrases build momentum to a natural crescendo as Leon shares with the others that his place between exists for "anyone who believes." The result is a magical delight for both skeptics and believers.—Meg Smith, Cumberland County Public Library, Fayetteville, NC END

About the Author
Angela McAllister has written more than fifty books for children. She lives in Hampshire, England, with her husband and children.

Grahame Baker-Smith is a self-taught illustrator. He lives in Bath, England, with his wife and children.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Review from www.firrkids.com
By www.firrkids.com
Reading this book is like attending your very own carnival and magic show, minus the crowd and dirty fairgrounds. Prepare to be completely swept away by the rich colors and enchanting illustrations.

Leon and his siblings have conflicting opinions about the magic show they are about to see. Tom and Pete are quick to announce that it will only be tricks not real magic, and Little Jo looks disappointed that her brothers might be speaking the truth. Leon shushes them, knowing there will be magic - you just have to believe.

The curtains slowly part and the show begins. After a group of wild jugglers and a swirl of mechanical toys, it is finally time for the main act. With a puff of purple smoke, Abdul Kazam takes center stage and Leon can practically smell the magic rolling off the magician in waves. When Abdul asks for a volunteer, Leon immediately knows it must be him. Without hesitation, he climbs straight into the magic box and falls deep into another world. Leon has discovered the Place Between.

The Place Between is where magic sends you. Everything that disappears by magic appears here, waiting to be called back. Leon watches as magicians' assistants appear and disappear, as well as scarves, coins and rings. Doves and cards flutter about and gold stars swirl everywhere. This is an amazing world, alive with magic. Just as he is settling in, Leon hears his name - he is being called back by the magician!

The illustrations, the colors and the fonts all lend themselves to a most magical experience for the reader. Pages practically glow in tones of deep plum and rich gold, with gleaming strains of stars swirling in the margins. The text is printed in a different sizes and fonts - they replicate a poster board or program. You could read this half a dozen times and never come close to seeing all the tiny background details that make this book so special. It is an amazing work of art and goes to show if you believe in magic, it does exist.

2 of 2 people found the following review helpful.
An absolutely magical experience
By SZAA
Well, I have a new favorite picture book. You need to read this book, you need to get others to read it...I promise, you won't regret it.

The first "thing" that really drew me into this book was the amazing and incredibly unique illustrations, which start with the cover design. The talent level of Baker-Smith it just huge and the mixed media take on illustrating this magical story, was really a magic-based experience for me as a reader.

The story is a sweet and comforting ride to the place between...the place where magic sends you. Leon and his friends go to a magic show, where Leon definitely expects to see some real magic and the others aren't quite sure they believe in anything magical. When the magician takes the stage and chooses Leon to be his assistant, the trio know they will be finding out what's real and what's not.

Leon experiences this place between here and there and shows that believing in something others think is silly, really does pay off in the end. His magical journey is real and wonderful, allowing him to fully understand just what magic means to us all, while helping to convince his friends that it's ok to believe in something others may not. Leon is a wonderful character, so believable, and I just felt an instant connection with him (which is hard to do in these short picture books).

The text is even presented in a unique way, allowing for great visual imagery and making this book a fabulous choice for a read aloud. The story is compelling enough, but the page spreads are just magnificent.

I cannot rave about this book enough. Go get one, buy one, get it from the library, buy it as a gift. It's a fabulous story to share with your family and it's now one of my new favorites.

See all 2 customer reviews...

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